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These fossils of our everyday reality are recreated in the spirit of the nonfigurative traditions, prompting viewers toward experiencing the very act of perception, rather than merely being narrative receivers of what is seen. It is in this way that these almost photographically concrete paintings with their abstract surface formulation become cosmic, that these found spectacles are refined into cultural metaphors.
The spot of spilled coffee is depicted in the process of its amoeba-like expansion, turning the inanimate into the living. The structure made of cast-away cigarette butts too seems to have a greater claim to existence than the sidewalk.
While one could think of the artist as a prodigy of Kurt Schwitters and Gerhard Richter, Batykos art distinguishes itself in that it seems to build on his predecessors legacy, just as his portrayed objects take on a new life that is quite independent of their previous existence.