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Writing with in the sense of incorporating part of what the algorithms are suggesting. Writing against in the sense of resisting the influence of automated processes that work to shape languages in ways that make them more practicable for other automated processes. If there is no space for resistance, there is no performance. So too I wonder if the archival component of love. abz, with the script of each performance incorporated into the corpus, would similarly complicate the ephemerality that has historically been accepted as axiomatic for theater.